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Hymns and Fragments: (Lockert Library of Poetry in Translation), by Friedrich Hölderlin
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The description for this book, Hymns and Fragments: , will be forthcoming.
- Sales Rank: #182614 in Books
- Brand: Brand: Princeton University Press
- Published on: 1984-09-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .71" w x 5.50" l, .78 pounds
- Binding: Paperback
- 312 pages
- Used Book in Good Condition
Review
"Mr. Sieburth . . . has set out to represent the movement, the rush and swirl of Hölderlein's verse, his fast-spilling lines, and he seems to me to have succeeded remarkably well."--New York Times Book Review
"This is an admirable work. It reads like poetry, which is not true of all translations. The introduction and the notes are extremely valuable."--Liesel Mueller, Translator of Selected Later Poems of Marie Luise Kaschnitz
Language Notes
Text: English, German
From the Back Cover
Drawing on the most recent scholarship, this annotated translation conveys the radical idiom and vision that continue to make Friedrich Holderlin a contemporary. Including his late poems in free rhythms from the years between 1801 and 1806, the period just prior to his hospitalization for insanity.
Most helpful customer reviews
7 of 9 people found the following review helpful.
Wonderful
By Amazon Customer
I started reading some Holderlin, having remembered one of his poems from a college class many years ago.
Wow.
He is one of the great poets of all time. I read him on the Metro to and from work, reading poems over and over and over again, for the sheer pleasure of the language (available in this fine translation) and the brilliant imagination which shaped the language. Holderlin is an exact contemporary of Wordsworth -- their finest poems were written in the same 1795-1805 decde -- and the two, together, seem to me the most revolutionary poets of the past several hundred years. Together -- not knowing one another -- the explore a sense of self that is the one we have come to inhabit; their sense of the problems of the self are OUR problems.
This is a stunning book. I can't quite get beyond it and to others: I keep returning to the poems, over and over.
(By the way, Heidegger too felt Holderlin to be one of the greatest: but if you read his essays on Holderlin, you end of think: nah, Heidegger didn't get it, at all. The 20th century philsopher seems like a college sophomore: the depth and richness of Holderlin escape him. But why should that surprise us? Holderlin was friends with Hegel, and moved into poetry from a grounding in philosophy as deep as Heidegger's. And he sure had a more poetic mind.)
28 of 33 people found the following review helpful.
Do not miss this book
By A Customer
This is my favorite book of poetry from the last 300 years. What's not to like here? Holderlin is the prince of all great modern German poetry. If you know Rilke, Trakl, Celan, George, or any of the others--come, and meet their godfather. Then there is Holderlin's relation to the past. The blazing richness of ancient Greek poetry, and especially Pindar, is burning more brightly in the poems in this book than in any other modern poetry. The introduction, notes, and facing-page German/English format of this edition are all top notch. These are the Holderlin poems you really want--the stuff that makes Holderlin one of the two or three most brilliant writers in the German language. Don't be fooled by other anthologies--this is a solid, virtually unabridged collection of the LATE poetry. If you really must spend your time with the relatively stale classicism of Klopstock and Schiller, by all means find another edition of Holderlin with more of his less mind-blowingly original work. But, if you buy this book, you will have the cream of all serious poetry since the 18th century.
There is no way to label Holderlin. Of course, you can say he's precociously modern in his response to early Greek poetry about mortality and the divine, or in his freedom from mere "romanticism," but, truly, Holderlin simply stands apart from--and above--the stream of poetry, and this book is the best way to discover that.
13 of 23 people found the following review helpful.
Well done, BUT
By GB
This is a stellar editionh of HOlderlin's late poetry, much of which Heidegger focused on; however, I think his earlier stuff is of great value too. The penguin edition is more essential, I would say, in that it covers more of his earlier and less fragmentary works. The notes that come along with the poems in this edition , as well as the introduction are spectacular. If you are unacquainted with HOlderlin, though, i would start out with the Penguin edition. Plus, Penguin books smell so nice.
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