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Containing the letters and diaries that Goethe wrote during his journey to Italy at age thirty-seven, Italian Journey reveals his tremendous range of interests. His writings cover literature, art history and his own struggle to be a painter, various sciences and political events, personal encounters, and the Italian landscape. "In Rome," Goethe wrote, "I first found myself, for the first time I achieved inner harmony...." For Goethe the writer, this temporal and spiritual journey was at the root of his development from Sturm und Drang to classicism, a decisive point in his life and the history of German literature.
- Sales Rank: #1734872 in Books
- Brand: Brand: Princeton University Press
- Published on: 1994-10-31
- Original language: English
- Number of items: 1
- Dimensions: 1.29" h x 6.12" w x 9.16" l,
- Binding: Paperback
- 495 pages
- Used Book in Good Condition
Language Notes
Text: English (translation)
Original Language: German
About the Author
Johann Wolfgang von Goethe was born in Frankfurt-on-Main in 1749. He studied at Leipzig, where he showed interest in the occult, and at Strassburg, where Herder introduced him to Shakespeare’s works and to folk poetry. He produced some essays and lyrical verse, and at twenty-two wrote Götz von Berlichingen, a play which brought him national fame and established him in the current Sturm und Drang movement. This was followed by the novel The Sorrows of Young Werther in 1774, which was an even greater success.
Goethe began work on Faust, and Egmont, another tragedy before being invited to join the government of Weimar. His interest in the classical world led him to leave suddenly for Italy in 1786 and the Italian Journey recounts his travels there. Iphigenia in Tauris and Torquato Tasso, classical dramas, were written at this time. Returning to Weimar, Goethe started the second part of Faust, encouraged by Schiller. In 1806 he married Christiane Vulpius. During this late period he finished his series of Wilhelm Master books and wrote many other works, including The Oriental Divan (1819). He also directed the State Theatre and worked on scientific theories in evolutionary botany, anatomy and color. Goethe completed Faust in 1832, just before he died.
W.H. Auden was born in 1907 and went to Oxford University, where he became Professor of Poetry from 1956 to 1960. After the publication of his Poems in 1930, he became the acknowledged leader of the 'thirties poets'. His poetic output was prolific, and he also wrote verse plays in collaboration with Christopher Isherwood, with whom he visited china. In 1946 he became a U.S. citizen. He died in 1973.
Elizabeth Mayer was born in Mecklengurg in 1884 and emigrated to the U.S. in 1936. In collaboration with Louise Blogan she translated Werther and Elective Affinities
Most helpful customer reviews
3 of 4 people found the following review helpful.
Goethe's Italian Travel Journal
By Neri
Goethe went on a somewhat spontaneous (long thought about - but left with little notification to employer or relations and a surprise to himself it seemed) journey to Italy to reignite or find his passion, his muse. He never quite recaptured his creative impulse to the standard of his expecations after writing the book that shot him into international superstardom "The Sorrows of Young Werther" and he wanted to be with young artists in Italy and incognito to reignite his muse (although the forward suggests something quite different may have been responsible for igniting his muse which his journal only hints at). The success of Werther might have left an almost stiffling weight on his creativity and his journal also discusses situations where he has to get past the legacy of Werther on his creative process, just through the sheer weight what people want to talk about and identify him with. After Goethe came from his Italian journey he did go on to complete many works, or revise ones in progress, and further his artistic gifts to mankind; also completing at least one while in Italy.
Following along with the help of the internet probably made this book more interesting: getting easy access to pictures and the obscure references made to this or that. Goethe also came across some amusing people as well. Goethe's insights and observations are of course quality but it is also remarkable how normal he was and susceptible to the same sorts of sentiments and feelings, prejudices as most have. I think his notions about dolphins would have changed if he were alive now. It also takes one to a different time and place and takes one, I think, into the mind of a great genius at rest.
The 10 pages on the the relationship of Goethe's favorite Saint Filippo Neri and Pope Clement VIII is worth the price of the book.
7 of 8 people found the following review helpful.
A Journey worth taking
By Amazon Customer
This is a great intro to Goethe, who here seems human, approachable, and caught up in an encounter with Italy that changed pretty much his whole worldview. Written with congenial grace, wit, and observant appreciation.
7 of 7 people found the following review helpful.
La Dolce Vita
By Daniel Myers
It is curious that, as translators W.H. Auden and Elizabeth Mayer point out in the Introduction, outside Germany, Goethe remains highly respected yet never actually read by most literary people. Studying literature during and before my undergraduate years, I was introduced to Dante in translation, to Moliere and Racine in the original French and, of course, to Shakespeare. But Goethe was barely mentioned, certainly not studied. Perhaps it is down to the difficulty of the German language. I simply don't know. I did read The Sorrows of Young Werther on my own in my youth, but remember being unimpressed. The Germans, on the other hand, have had a love affair with Shakespeare that, at times, has almost eclipsed the devotion to him in his own country. In short, I felt obliged to read this travelogue in an attempt to become better acquainted with a writer whom Germans hold in such high esteem.
And what a treat it is! Whatever Goethe's motives in making a sojourn in Italy, much debated in the Introduction, it seems certainly well worth it for him as well as for the reader. Well-nigh every chapter is drenched with the Italian sunshine and carpe diem attitudes he finds in Italy (particularly Naples) which he seldom fails to contrast with what he refers to as the dark and gloomy northern climes. As he states, almost shouts, one wants to say, in a letter written from San Luca, "I shall leave everything as it stands because first impressions, even if they are not always correct, are valuable and precious to us. Oh, if only I could send my distant friends a breath of the more carefree existence here!"
There are some few and far between rather dull moments, as will occur in any travelogue recorded in this fashion, but, for the most part the sunlit waves and piazzas of 18th Century Italy are wafted to the reader through this - as far as I can discern - very able translation.
It is beyond the scope of this review to cover everything Goethe experiences in Italy and, more particularly, Rome, where he ends up spending most of his time studying painting, architecture, anatomy and, above all, becoming immersed in Italianate culture whilst continuing to write, enlivened by the liberation he feels. Goethe himself does a better job of summing it all up than I can:
"While living this year among strangers, I have observed that all really intelligent people recognize, some in a refined, some in a gross way, that the moment is everything and that the sole privilege of a reasonable being is to behave in such a manner, in so far as the choice lies within him, that his life contains the greatest possible sum of reasonable and happy moments."
What a lovely way of reflecting upon what a climate and people have taught one!
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