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Willem de Kooning, one of the great pioneers of Abstract Expressionism, experimented with the human form throughout his career. An artist deeply skeptical about Western ideals of beauty, he focused on anatomical fragmentation and spatial ambiguity to express the fleeting nature of the individual. This strikingly designed book, published in conjunction with an exhibition originating at The Museum of Contemporary Art, Los Angeles, explores de Kooning's drawings of the female form between 1940 and 1955. It reveals an artist who struggled to eliminate traditional barriers between drawing and painting as he explored ambiguities between the figure and its background.
De Kooning relied on early-twentieth-century abstraction in his initial attempts to redefine the figure, drawing and re-drawing the same line until he resolved the image. Beginning in 1947-49, he synthesized abstraction and figuration, dismembering figures and rearranging them with seeming randomness. As his figural compositions developed, geometric configurations transformed into architectural elements (suggesting windows, doors, mirrors, paintings, and furniture) to create ambiguous space. In 1951, de Kooning abruptly returned to depictions of women. Using turbulent brushwork, he turned female figures into monumental, intentionally vulgar, wildly distorted images whose parts read alternately as flat pattern and fully rounded forms. The effect is an almost violent sensuality.
The artist's later style differed dramatically from that of earlier decades. Familiar shapes and hues suggest that women remain in his works, yet they are distorted beyond recognition as if seen from underwater. As put by Thomas Hess, the artist's friend and critic, "Woman, for de Kooning, is the human equivalent of water; more than a vessel, she embodies it in planes of rippling flesh."
EXHIBITION SCHEDULE
http://www.artcommotion.com/Issue2/moca/home.html The Museum of Contemporary Art, Los Angeles
February 10, 2002-May 5, 2002
http://www.nga.gov/home.htm The National Gallery of Art, Washington, D.C..
September 29, 2002-January 5, 2003
http://www.sfmoma.org/ The San Francisco Museum of Modern Art
June 15 - September 8, 2002
- Sales Rank: #1967794 in Books
- Brand: Brand: Princeton University Press
- Published on: 2002-04-07
- Original language: English
- Number of items: 1
- Dimensions: 1.26" h x 9.71" w x 13.58" l,
- Binding: Hardcover
- 200 pages
- Used Book in Good Condition
Amazon.com Review
At the forefront of modern art during the 1950s, painter Willem de Kooning secured his place in art history with the unveiling of his "Woman" series. Colorful, brash paintings composed of bold, violent brush strokes were seen by critics and viewers as vulgar and problematic but unfailingly important in their merging of abstract and representational forms. The Museum of Contemporary Art in Los Angeles presents, in conjunction with an exhibition of the same name, Willem de Kooning: Tracing the Figure, a collection of drawings and studies that led up to the famous "Woman" paintings. Seen as completed works in their own right, these drawings bear de Kooning's distinctive draftsmanship of powerful lines, erasures, scrapings, and strong color. Blurred images of the figure coming apart at the seams, the works look as if they were made during an emotional explosion, though de Kooning's work process was known to be rather laborious. Four insightful essays complement the arresting images, including a remarkable discussion on the social ramifications of de Kooning's vision of the female form by curator Cornelia H. Butler. This well-crafted book is perfect for any fan of modern painting. --J.P. Cohen
Review
"The vivid reproductions in Tracing the Figure show de Kooning's frenzied mind and hand at work . . . as he developed his distinctive style. . . . This wonderfully produced book traces de Kooning's development from early figurative drawings to the studies tat led to Woman I, the painting that he worked on for almost two years, and that ended up defining his career."--Modern Painters
"Highly recommended for anyone interested in the phenomenon that was abstract expressionism in the mid-20th-century US (or for anyone who is simply looking for something on De Kooning that is clearly written and carefully researched)."--Choice
About the Author
Cornelia Butler is Curator at the Museum of Contemporary Art, Los Angeles, where she has organized numerous exhibitions, most recently "Flight Patterns" and "The Social Scene." Paul Schimmel is Chief Curator at the Museum of Contemporary Art, Los Angeles. His exhibitions include "The Interpretive Link," "The Figurative Fifties," and "Out of Actions." Richard Shiff is Effie Marie Cain Regents Chair in Art and directs the Center for the Study of Modernism at the University of Texas, Austin. He is the author of Cezanne and the End of Impressionism. Anne Wagner is Professor of Art History at the University of California, Berkeley. She has published Jean-Baptiste Carpeaux and Three Artists (Three Women).
Most helpful customer reviews
11 of 11 people found the following review helpful.
Good Book
By Austin Ivansmith
I bought this book as a gift for my girlfriend's birthday and I was shocked by the size of the book. There are tons of images in the book, most seem to span his career from pencil drawings of his wife to the more familiar works like the one on the cover (which take up most of the works in the book, thank goodness.) The images are laid out with great focus, my only complaint is that some of the images aren't bigger, but then they would have to cut across the seam more.
The book is big, it weighs a lot, it has mostly pictures of his works, there is only 1 picture per page (no distracting, busy design), and a small biography in the back. A very good deal for the price, you get your money's worth.
2 of 3 people found the following review helpful.
Great study of a master of drawing
By Reich Claude
If you don't like De Kooning, maybe you should rethink and stop to look at his wonderfully traced drawings which exhude life, violence and passion. This book is the first such publication and it may be the only opportunity to see so many drawings together (drawings do not like daylight and therefore are rarely exhibited). Definitely worth it, especially for the high quality of the illustrations which are all in color and often give you the impression of holding the actual drawing in your own hands.
0 of 0 people found the following review helpful.
Beautiful book
By william d simpson
Among the very best art books I own. I saw this exhibit at MOCA, and the reproductions here are superb - many are very close to actual size. I've been a fan of de Kooning forever and own several books about his art. This is my favorite.
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