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Ancient Mosaics, by Roger Ling
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Using thousands and sometimes millions of pieces of colored stone or glass to create elaborate patterns or scenes is a painstaking and expensive way to decorate a surface. Yet the art of mosaic enjoyed spectacular success in the Graeco-Roman world, where its practitioners created some of the most beautiful artworks in history. This handsomely illustrated and elegantly written book traces the evolution of mosaic from the Hellenistic period to the early Christian era, with particular emphasis on the Roman Empire, and examines its regional variations from Britain to North Africa and from the Levant to the Spanish seaboard.
The eminent classical scholar Roger Ling explains how mosaics were first made in the fifth century B.C. with the use of inset pebbles to provide durable pavements. He shows how mosaic became one of the hallmarks of luxury in Roman times, when such masterpieces of imperial floor decoration as the black-and-white silhouette pavements of Ostia and the colorful figure compositions of Piazza Armerina in Sicily were created. From pavements, mosaic graduated to walls and ceilings, where it culminated in the soaring blue and gold work of early Christian churches in Rome, Constantinople, and Ravenna. Ling examines the wide range of styles and subject matter employed by mosaicists, whether geometric patterns or figurative scenes of mythology, agriculture, and hunting, and explores what mosaics reveal about domestic and imperial tastes and aspirations. Such topics as techniques and materials, the relationship of mosaic to other forms of interior decoration, and the influence of ancient mosaics in more recent times are also discussed in detail.
Illuminating, attractive, and affordable, this book makes a major contribution to classical scholarship and will also appeal strongly to art historians, artists, designers, and general readers.
- Sales Rank: #1151049 in Books
- Brand: Brand: Princeton University Press
- Published on: 1998-07-27
- Original language: English
- Number of items: 1
- Dimensions: .54" h x 7.57" w x 9.69" l,
- Binding: Paperback
- 144 pages
- Used Book in Good Condition
From Library Journal
While most books on ancient mosaics concern themselves mainly with the "how-to" of a specific monument, Ling offers a broad and accessible overview. The evolution of ancient mosaics began in the Greek late Classical period with floors decorated with pebble mosaics and culminated in the lush wall and vault mosaics of Christian Rome. Ling follows the progress of mosaics across the span of the Greco-Roman world, from Britain to Egypt and Spain to Syria, carefully examining stylistic development, techniques, materials, and influences. In addition, he places the mosaics carefully in the context of the world for which and in which they were created. Because of the durable material used, many mosaics are still available for viewing, and Ling has selected a generous sampling for detailed illustration. A solid work by a respected author, this is recommended for both academic and public libraries. --Mary Morgan Smith, Northland P.L., Pittsburgh
Copyright 1999 Reed Business Information, Inc.
About the Author
Roger Ling is Professor of Classical Art and Archaeology at the University of Manchester. His other publications include The Greek World (published as Classical Greece in its second edition), Wall Painting in Roman Britain (with Norman Davey) and Roman Painting.
Most helpful customer reviews
7 of 13 people found the following review helpful.
Ancient Mosaics
By William Prueter
Roger Ling is a true scholar. He knows his subject and writes with clarity. He describes the method of creating a mosaic. This was a tedious task which required inserting a slender piece of baked clay or glass or marble into wet cement. Thus only a very small section could be done at a time. These pieces of baked clay are called tesserae. Some are one half inch by one half inch. Others are slender little guys only one millimeter by perhaps two millimeter. These were used to make a mosaic such as that of the doves found in the Capitoline Museum in Rome. Mosaics were placed on the walls, floors and ceilings. Most which survive are from the floor. This makes sense. When a building collapses most mosaics of the walls and ceiling would perish but conceal and protect the mosaic floor below. Mosaics were monochrome, also highly colorful. There was much experimentation. Some mosaics display a three dimensional effect. Some reproduce famous paintings. Some display reproduction of a painting with modifications made by the artists or the patron of the piece. Some of the experimentation in mosaics ended up influencing architectural design. I suggest reading Pinto's and MacDonald's Hadrian's Villa and Its Legacy. Studies are under way to trace mosaicists works found in areas stretching over large parts of Italy and Europe. Mosaic patterns in various rooms can be used on occasion to determine what use that room had. Evidently mosaics in triclinia (dining rooms) were designed to generate discussion. I would highly recommend reading Linda Farrar's Ancient Romans Gardens after reading this book.
19 of 19 people found the following review helpful.
good text but few color photographs
By L. Sanabria
This book was a disappointment and when I look at the ridiculous prices being asked for it these days ($62.00 for the cheapest copy!!), I got motivated to write a review. It all depends on your expectations. If you want information on Greek and Roman mosaics, on the history and techniques, then this book has a lot of information, even if it is a short book (140 pages). But if you want stunning pictures of ancient mosaics, this is not the book to get. The book has 47 color pictures and 49 black/white pictures. The pictures tend to be small, as the priority is given to the text, not the photographs.
My interest is in Byzantine mosaics. Two books that have good color pictures of Byzantine mosaics are: "Byzantine Art" by Jannic Durand, and "Byzantium: from Antiquity to the Renaissance" by Thomas Mathews, which is a smaller book, but also has many color photographs. Neither of those would qualify as a coffee table book, but the one by Durand comes closest to that.
German publisher Konemman came out with a book which is oversize that probably has lots of picture of Byzantine art (as well as Ottoman art), called "Constantinople: Istanbul's historical heritage", by Stephane Yerasimos. I have not seen it yet, but Konemann's books are usually "feast for the eyes" material.
I don't know of book on ancient mosaics in general (not just Byzantine) that has great color photographs. If that is your interest, surely this one by Roger Ling is not the one.
58 of 59 people found the following review helpful.
Inspirational
By Anaxila
This title is absolutely worth every penny. Though weighing in at only 143 pages, it is deceptively meaty and educational. The 106 selected photos (47 color and 49 B/W) are crisp, beautiful, and plentiful, and the inclusion of a maps and a glossary were also helpful. The mosaics selected for illustration are sublime, and even those ravaged by time are hardly less beautiful for it. Chapters are (in order) Intro, Greek Period, Roman Italy, Roman North-West, Roman Africa, Wall and Vault Mounts, and Context and Meaning. In a book of this length each chapter is necessarily short, but the examples chosen to illustrate each section are well-chosen to guide further study in selected areas.
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