Senin, 20 Juli 2015

** Free PDF Don't Cramp My Style: Stories About "That" Time of the MonthFrom Brand: Simon n Schuster Books For Young Readers

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Don't Cramp My Style: Stories About

Whether your cycle is regular or random, you prefer chocolate or chips, you break out or stay zit-free, your period is an indelible fact of life....

Finally, a book that forgets "Aunt Flow" and "the curse" and deals with that time of the month head-on. In twelve stirring fictional narratives, celebrated authors including Han Nolan and David Lubar explore with spirit and strength everything from boyfriends buying tampons, to embarrassing encounters in white, to heart-wrenching pregnancy scares. This is a must-have collection for young women everywhere!

  • Sales Rank: #3344181 in Books
  • Brand: Brand: Simon n Schuster Books For Young Readers
  • Published on: 2004-03-02
  • Released on: 2004-03-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x 1.02" w x 5.00" l, .65 pounds
  • Binding: Hardcover
  • 304 pages
Features
  • Used Book in Good Condition

From School Library Journal
Grade 7 Up-This collection of 12 stories is something of a mixed bag. Pat Brisson's opening selection, in which Carly, 16, runs a hilarious obstacle course through her high school to get to the girls' room, is lighthearted and entertaining. It is followed by a survey of depressed premenstrual young women from around the world. Alice McGill's "Moon Time Child" is a slave narrative in which Salome, 13, dreads her first period because it will render her a breeder. All is well, however, when a kind older woman finds a way for her to breed with the elder's grandson. In Deborah Heiligman's "Ritual Purity," tough, drug-addicted Mimi is sent to live with Orthodox Jewish relatives; when her aunt miscarries and Mimi saves her life, she also learns to value her own. Fraustino's "Sleeping Beauty" is the inner monologue of an overachieving premed student who denies her own pregnancy until she gives birth in a stall in her dorm bathroom. More affecting, and more subtly drawn, is Han Nolan's Southern Gothic "Maroon," about the death of a teenage girl by coat-hanger abortion, as seen through the eyes of her eight-year-old cousin. Despite the few bright spots, the tone tends to be heavy-handed and a bit preachy; overall the selections tell quite a bit more than they show. Good nonfiction, like Lynda Madaras's What's Happening to My Body? Book for Girls (Newmarket, 1991) and fiction like Erzsi Deàk and Kristin Embry Litchman's Period Pieces (HarperCollins, 2003) cover the subject with more style, humor, and grace.-Johanna Lewis, New York Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Gr. 8-12. Last year's anthology Period Pieces [BKL Mr 15 2003] focused mostly on humorous, reassuring stories about girls' first periods. This collection aims for an older audience and a broader range of experiences. Contributed by familiar youth authors as well as newcomers, the stories include a few first "moon times," many set in diverse cultures and historical times. In one story, a young African American slave dreads the period that will mark her a "breeder"; in another, a Lenni-Lenape Indian girl celebrates her first entrance to the woman's hut. In many selections, though, periods are just one element in complex, disturbing stories that focus instead on larger women's issues--pregnancy and miscarriage, sex, relationships, body image, and ties to family. In many of these stories, periods are inconvenient, gory (there are some startling, visceral details), and blindingly painful. But that honesty is why, despite the stories' uneven tone and quality, many teens will be drawn to this powerful, provocative collection. Gillian Engberg
Copyright © American Library Association. All rights reserved

About the Author
Lisa Rowe Fraustinois the award-winning editor of the acclaimed anthology Dirty Laundry: Stories About Family Secrets and the celebrated collection Soul Searching: Thirteen Stories About Faith and Belief. She is also the author of the ALA Notable Book The Hickory Chair, illustrated by Benny Andrews. Lisa resides in Ashford, Connecticut, and is a professor of English and children's literature at Eastern Connecticut State University.

Most helpful customer reviews

4 of 7 people found the following review helpful.
Female Rites of Passage
By MJS
Of all the possible themes for a collection of short stories, this has to be one of the most unlikely...menstruation. While the topic may appear a bit unseemly, it ultimately works to create a wonderful celebration of womanhood. The book is a series of biological coming-of-age stories; it portrays
menstruation as both celebration and curse, as something welcomed and dreaded. Most of all, it shows that `periods' bond all women across time and culture.
Several stories look at menstruation in a modern vein. Losing It is a wrenching look at losing one's virginity; an antidote to the Hollywood romanticism of the "first time." The Uterus Fairy is a cross-generational look at, well, uteruses. The mother is mourning an impending hysterectomy; her daughter is worrying about a possible pregnancy. The Heroic Quest of Douglas McGawain is one of the few comic tales and the only one told from a male's point of view (this "knight's" quest involves
tampons!)
Several stories look at menstruation from different cultural or historical perspectives. Getting one's period as a noblewoman in pre-revolutionary Russia meant being eligible for marriage to a politically-correct man. Instead, The Czarevna of Muscovy longs to be one of the dancing peasants she spies in the village courtyard; her pining has drastic consequences. Ritual Purity is a fascinating look at the Othrodox Jewish tradition of mikveh (monthly cleansing bath) and a troubled teen who seeks meaning in tradition and family. Moon Time Child is a look at a slave girl's dread of her "moon time" knowing that it will mark her as a "breeder" and mean a further loss of freedom.
Several stories transcend time and place. Sleeping Beauty is a musing on fairytales and menarche. Transfusion is a dramatic story of a mentally-ill woman's blood infusing another woman's life with meaning and strength. In a second powerful story, Maroon, a young girl worships her older, `hipper' cousin only to discover that her "hero" has done the unforgivable: become pregnant out of wedlock.
Some of the stories have violent themes although not graphically portrayed. There is also some adult language and sexual situations --again, not graphic. The very theme of the collection will be off-putting for some, titillating for others. The attractive cover and breezy fly ("Whether your cycle is regular or random, you prefer chocolate or chips, you break out or remain zit-free, you period is an indelible fact of life...") makes this book appear to be light-weight reading. But those who pick it up will be rewarded with uniformly high-quality writing. A great addition to high school collections,
middle school (with caveats) and certainly a women's studies course.

4 of 5 people found the following review helpful.
Excellent Anthology
By BrentC
I may not be the target audience for this book (I'm an adult male, I suspect most of its readers will be adolescent females), but I thought this was a terrific anthology, and a great way to get a discussion started about "that time of month." For girls, it gives some perspective, and for boys (if you could get them to read it), it would go a long way toward demystifying the ways of women (!). I especially liked Dianne Ochiltree's "The Woman's House," and David Lubar's very funny "The Heroic Quest of Douglas McGawain" (a teenage boy goes out to buy tampons for his girlfriend!).

6 of 6 people found the following review helpful.
"The Women's House" in Don't Cramp My Style
By A Customer
I just read the new book Don't Cramp My Style. The story "The Women's House" in it is awesome! Wow! I cried at the end. I became totally immersed in the story and felt that I was right there observing the young girl and her family. The story involves the behaviors and customs of young Native Americans girls as they reach puberty and begin their first blood. It was written through the eyes of Sparrow Song, a young Native American girl, which made it very realistic and extremely touching.

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Sabtu, 18 Juli 2015

>> Ebook Free Saracens, Demons & Jews: Making Monsters in Medieval Art, by Debra H. Strickland

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Saracens, Demons & Jews: Making Monsters in Medieval Art, by Debra H. Strickland

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Saracens, Demons & Jews: Making Monsters in Medieval Art, by Debra H. Strickland


During the crusades, Ethiopians, Jews, Muslims, and Mongols were branded enemies of the Christian majority. Illustrated with strikingly imaginative and still disturbing images, this book reveals the outrageously pejorative ways these rejected social groups were represented--often as monsters, demons, or freaks of nature. Such monstrous images of non-Christians were not rare displays but a routine aspect of medieval public and private life. These images, which reached a broad and socially varied audience across western Europe, appeared in virtually all artistic media, including illuminated manuscripts, stained glass, sculpture, metalwork, and tapestry.


Debra Higgs Strickland introduces and decodes images of the "monstrous races," from demonlike Jews and man-eating Tartars to Saracens with dog heads or animal bodies. Strickland traces the origins of the negative pictorial code used to portray monsters, demons, and non-Christian peoples to pseudoscientific theories of astrology, climate, and physiognomy, some dating back to classical times. She also considers the code in light of contemporary Christian eschatological beliefs and concepts of monstrosity and rejection.


This is the first study to situate representations of the enemies of medieval Christendom within the broader cultural context of literature, theology, and politics. It is also the first to explore the elements of that imagery as a code and to elucidate the artistic means by which boundaries were effectively blurred between imaginary monsters and rejected social groups.


  • Sales Rank: #1948035 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 2003-06-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.32" h x 8.38" w x 10.26" l, 3.34 pounds
  • Binding: Hardcover
  • 336 pages
Features
  • Used Book in Good Condition

Review
"Strickland has mapped out a territory crucial for a responsible accounting of the ideological power of medieval art. Her work stands as both a reference work and a starting point for future investigation."--Gerald B. Guest, CAA Reviews




Saracens, Demons and Jews is a rare book: impeccably researched, crisply penned, provocative in its findings and handsomely produced. It will provide any readers interested in the long history of how humans have denied humanity to their fellow beings much to ponder."--Jeffrey Cohen, Patterns of Prejudice

From the Inside Flap
"Strickland has done an outstanding job of synthesizing the earlier literature, grounding it historically, and introducing fresh observations and ideas. She draws on a great range of primary and secondary sources to produce a study that will be useful not only to art historians but to scholars in medieval history, literature, and religion."--Anne Derbes, author of Picturing the Passion in Late Medieval Italy

"This book presents a multidimensional view of medieval social rejection as depicted in varied embodiments of 'the monstrous' in medieval art and iconography. The way that Strickland reads her images is refreshing. Historically well informed, she connects her selection of images to the actual problems confronting many historians in today's multicultural world. Scholars, teachers, and students will take to her reader-friendly prose. And that near-mythical creature--the general reader--will be attracted by the freak show--like, even underworld appeal of this book's evil creatures."--Gary Dickson, author of Religious Enthusiasm in the Medieval West

From the Back Cover

"Strickland has done an outstanding job of synthesizing the earlier literature, grounding it historically, and introducing fresh observations and ideas. She draws on a great range of primary and secondary sources to produce a study that will be useful not only to art historians but to scholars in medieval history, literature, and religion."--Anne Derbes, author of Picturing the Passion in Late Medieval Italy


"This book presents a multidimensional view of medieval social rejection as depicted in varied embodiments of 'the monstrous' in medieval art and iconography. The way that Strickland reads her images is refreshing. Historically well informed, she connects her selection of images to the actual problems confronting many historians in today's multicultural world. Scholars, teachers, and students will take to her reader-friendly prose. And that near-mythical creature--the general reader--will be attracted by the freak show--like, even underworld appeal of this book's evil creatures."--Gary Dickson, author of Religious Enthusiasm in the Medieval West


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Jumat, 17 Juli 2015

@ Free Ebook Spring Wildflowers of the Northeast: A Natural History, by Carol Gracie

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Spring Wildflowers of the Northeast: A Natural History, by Carol Gracie

This exquisitely illustrated volume provides an in-depth look at spring-blooming wildflowers of the Northeast, from old favorites to lesser-known species. Featuring more than 500 full-color photos in a stunning large-sized format, the book delves deep into the life histories, lore, and cultural uses of more than 35 plant species. The rich narrative covers topics such as the naming of wildflowers; the reasons for taxonomic changes; pollination of flowers and dispersal of seeds; uses by Native Americans; related species in other parts of the world; herbivores, plant pathogens, and pests; medicinal uses; and wildflower references in history, literature, and art. The photos capture the beauty of these plants and also illustrate the concepts discussed in the text.

A book unlike any other, Spring Wildflowers of the Northeast combines the latest scientific research with an accessible, entertaining style, making it the ideal volume for readers of all levels of expertise.


  • Showcases the Northeast's most spectacular spring-blooming wildflowers

  • Features more than 500 full-color photos

  • Covers the life histories, lore, and cultural uses of more than 35 species

  • Combines the latest scientific research with an easy-to-read style

  • Offers something new for seasoned botanists as well as armchair naturalists

  • Sales Rank: #856491 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 2012-03-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.29" h x 1.21" w x 7.63" l, 2.61 pounds
  • Binding: Hardcover
  • 312 pages
Features
  • Used Book in Good Condition

Review
Honorable Mention for the 2012 National Outdoor Book Awards, Nature & Environment Category

"If you receive this book in the dead of winter, it will stir your mind and warm your heart. And, I'm sure, you will hurry outdoors at the first breath of warm weather to view for yourself the delicate wonders of the springtime blooms so eloquently chronicled in every entry. . . . Brilliantly rendered photographs grace every page, making this an ideal present to admire with the family at holiday time and to return to every time spring knocks on your door."--Larry Marschall, Natural History

"The plant profiles Carol writes are more than a string of facts about a plant's morphological parts and its dry taxonomic history. Each profile is a history lesson sprinkled with interesting insights into how plants work. . . . This book is recommended for teachers, naturalists and all plant enthusiasts in the northeastern US, armchair naturalists everywhere, and anyone striving to write interesting, easy-to-read plant profiles for a general audience."--ArtPlantae Today

"This book does a fine job combining the science, history, and poetic beauty of these wildflowers."--Empress of Dirt blog

"I can't imagine a wildflower enthusiast or naturalist not wanting to own and devour this book. It's crammed with fascinating information you'll share with companions on nature walks, at the dinner table, and at cocktail parties. To top it off, the volume is graced by color photographs, some chiefly practical, others just plain gorgeous. All abet the author's cause: to bring us intimate, science-based knowledge of the wild, sometimes weird world of wildflowers."--Ed Kanze, Record-Review (Bedford, NY)

"A wonderful resource. In addition to providing more than 500 photographs illustrating the plants and concepts discussed in the text, this book also explores the lore and cultural uses of more than 35 species of spring-flowering natives. Author Gracie is a naturalist, photographer, and writer who was for many years an educator and tour leader with the New York Botanical Garden. Let her take you on a literary and photographic tour of our region's spring wildflowers, then go out in the woods and fields to enjoy them in wild!"--Susan Littlefield, National Gardening Association newsletter

"There is quite simply a wealth of information here; everything you ever wanted to know about wildflowers but maybe didn't know how or who to ask. . . . This is a book that deserves a place on the bookshelf of anyone who wants to know more about these wonderful plants."--Gardening with Nature blog

"Interested in digging deeper into wildflowers? This is the book for you. Carol Gracie's Spring Wildflowers of the Northeast: A Natural History reads like a college text with some of the yummiest photos I've seen in a long time."--Marie Iannotti, About.com Gardening

"This engaging book is a great way to become acquainted with the secret lives of colorful flowers that thrive without a gardener's care. Their common names are as unforgettable as they are descriptive. Meet Jack-in-the-pulpit, Blue-eyed Mary, lady's slippers, Dutchman's breeches and more in this loving appreciation of their considerable charms."--Valerie Sudol, Newark Star-Ledger

"If you're an insufferable nature nerd, like me, you will love this book. . . . It's more than a guide to the beauties of spring. It is a beautiful, hardcover natural history lesson."--Justine Weber, Nemesis Bird blog

"In the comprehensive, well-written and lavishly illustrated book, you'll encounter wildflowers you may already know and love . . . as well as ones you'd be delighted to meet."--Bill Cary, Journal News

"[A] very readable text that is lavishly accompanied by Carol's photographs. It's a pretty book as well, from the velvety black cover to the color coordinated text panels, and the clean, crisply designed pages. Carol has tried to avoid overly scientific jargon, but the technical terms are there when necessary. The blend should appeal to a wide audience. . . . [T]his a very special, enjoyable and informative book."--Robin A. Jess, Botanical Artist

"Anyone with even the most casual interest in plants will be drawn to this book by the beauty, quality, and quantity of the author's photographs. As for the text, Gracie, a writer, naturalist, and educator, has wisely chosen depth rather than breadth by providing life history details of 35 signature wildflowers of northeastern North America. There is scholarly substance in her treatments, but the prose is easy to read and is without off-putting citations in the text. Spring Wildflowers of the Northeast is really a model of how to take the next step beyond merely learning to identify plants from a field guide to understanding how they function in their forested ecosystems--the parts they play in the intricate web of life. This reviewer also appreciated learning about how the plants got their names, and the whys and wherefores of recent name changes."--Choice

"What a welcome addition to wildflower literature! This is the ideal book for readers of all levels of expertise, from the professional botanist to the armchair naturalist. . . . I salute this gifted plantswoman for focusing on the beauty and intricacies of northeastern wildflowers, adding a valuable contribution to our knowledge of the flora of the United States."--Jane Austin Bruckner, Journal of the Botanical Research Institute of Texas

"The inner front dust cover flap calls this a 'book unlike any other,' and that is certainly true. This is an exquisite collection of essays on over 30 species of spring wildflowers indigenous to the northeastern United States and Canada. The author, an accomplished botanist and author, has poured her enthusiasm and passion for wildflowers into this marvelous volume."--Robert J. Krueger, Economic Botany

"Carol Gracie's book will find a place not only on the coffee table, but also as supplemental reading in such courses as field botany, plant taxonomy and Northeastern natural history. High School librarians will find this a wonderful way to introduce real-world botany back into the consciousness of a biology curriculum now practically devoid of biological interest. Spring Wildflowers is a delight to the eye and the mind. At the price, it is a 'steal' and should be acquired by all naturalists in the region."--Andrew M. Greller, Ph.D, Journal of the Torrey Botanical Society

"It would be a pity if the titular 'Northeast' causes persons from other areas, including Canada, to overlook this distinctive book that is such a fascinating browse and read. Thanks, Carol Gracie, for reviving my memories of grad-student years at Ann Arbor with your splendid work describing skunk cabbage, that harbinger of spring, as well as other beauties of the season."--Rudolf Schmid, TAXON

"This new guidebook from an expert botanist and accomplished photographer is a rare hybrid, offering a wealth of scientific information in a way that is accessible. . . . Each section includes conventional wildflower portraits, but it is the closeups that are the most fascinating. Tepals, sepals, stamens, spathes (and many more terms usually relegated to inscrutable botany tomes) come alive, becoming understandable parts of the inner workings of plants."--Better Homes and Gardens, Country Gardens

"Hundreds of photographs illuminate this book, making it a keeper for any enthusiast of wild plants."--Jodi DeLong, Chronicle Herald

"This is not your usual field guide, but a detailed and intimate exploration of the natural history of the spring flowering plants we are most familiar with. . . . Highly recommended."--Thomas Brock, Prairie Promoter

"In the Spring Wildflowers of the Northeast, Carol Gracie lets us experience spring any time of the year."--Maryann Whitman, Wild Ones Journal

"Spring Wildflowers of the Northeast combines facts and trivia with luscious photographs depicting some of the region's showiest and most interesting spring-blooming native or naturalized wildflowers. Naturalist and photographer Carol Gracie's conversational style makes this field guide not only useful but also an entertaining read as it describes these plants' features, habit, history, uses, and ecosystem associations."--Caroline Bristol, American Gardner

"The book is very cozy to read and Gracie presents complex subjects such as molecular systematics in a very understandable, conversational manner. Over all, it provides the reader with an intimate look at the fascinating and complex life histories of these plants and goes way beyond just appreciating a spring wild flower for its pretty face. I hope to see Gracie write additional books that will provide such great insight into other groups of plants found in this region."--Sasha W. Eisenman, Bartonia

"What sets this book apart from others is the breadth and depth of information. . . . The beauty of the photos may tempt you to leave the book out as a coffee table book; it may also convert you into a wildflower enthusiast."--Edna Troiano, Washington Gardener

"Gracie . . . has created the 'go to' book for understanding the dynamics of these spring-time 'wonders.'"--Gail Hamsher, The Real Dirt

From the Back Cover

"This is a wonderful collection of essays on some of our favorite early spring wildflowers, taking readers way beyond the typical coverage of identity, general habitat, and range. Spring Wildflowers of the Northeast is an excellent, unique, and exceptionally well-illustrated book, a wonderful addition to our literature on wildflowers."--Garrett E. Crow, professor emeritus, University of New Hampshire

About the Author
Carol Gracie is an acclaimed naturalist, photographer, and writer. Now retired, she worked for many years as an educator and tour leader with the New York Botanical Garden before teaming up with Scott Mori, her husband, on botanical research projects in South America. Her books include "Wildflowers in the Field and Forest."

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4 of 4 people found the following review helpful.
An Ideal Wildflower Book
By LIbby
Carol Gracie's book is a joy to read, each chapter telling the engrossing story of a flower (or two) and its related species, an ideal botanical book. She covers everything from the latest science to cultural history to personal observations. The thoroughness of her research is rare and has given us a book that we have only dreamed of. Highlights covered include pollination, growth patterns, name derivations, the science behind name changes, medicinal and other uses, interconnections with other plant and animal species, historical associations, horticultural uses, and much more. She has brilliantly illustrated the significant characteristics with gorgeous photographs, the close-ups especially stunning, revealing the beauty and remarkable inner structure of flowers.

I highly recommend this book to anyone with any interest in flowers and the natural world. Even the flowers one might not be familiar with are fascinating for Gracie's wonderful stories, information, and insights into the plant world.

2 of 2 people found the following review helpful.
Glorious book for a glorious subject
By Andrew M. Greller
Field botanists will remember Carol Gracie's name as the co-author with Steven Clemants (deceased) of the best-selling field guide to Northeastern wildflowers, "Flowers in the Field and Forest." This new work expands upon the knowledge gained of plant identification of that flora by examining all aspects of the natural history of more than 35 species. These are surely among the most attractive blooms in our section of the Eastern Deciduous Forest, itself world-famous for spring wildflowers and autumn leaf color. Carol, a friend and colleague, provides 500 spectacular color photos, which she gathered while travelling 27,000 miles throughout the region. Carol also provides an account of the life history of each plant, its lore, cultural uses, and the latest scientific information. This book therefore is a primary contribution to the literature of our flora, including some never-before published accounts of pollination ecology. The book will be purchased not only for the stunning photographs, which reveal unsuspected aspects of flower symmetry and color pattern, but also for the bibliographical references section that provides access to the literature. Taken at random, references to wild ginger range from "The Journals of the Lewis and Clark Expedition" (1806) to a popular treatment as "Plant of the Year" (2010). Included is a reference to "Aristolochic acid neuropathy: a worldwide (kidney) problem" in a medical journal. I count all this as solid scholarship. But it is the natural history that forms the heart of the text, an encyclopedic review of each of the flowers in history, in the kitchen, in art and literature, Native American and Colonial lore and popular culture. Because I have three species of violets growing in my front yard (no thanks to any effort on my part!), I read that chapter first. I found there a wealth of information too extensive to detail in a review. It is enough to say that I will now be adding violets to my food choices.
Carol's book will find a place not only on the coffee table, but also as supplemental reading in such courses as field botany, plant taxonomy and Northeastern natural history. High School librarians will find this book to be a wonderful way to introduce real-world botany back into a biology curriculum that is now practically devoid of biological interest. "Spring Wildflowers" is a delight to the eye and the mind. At the price, it is a "steal" and should be acquired by all naturalists in the region.

2 of 2 people found the following review helpful.
Spring Wildflower book
By wildflower girl
Carol Gracie has published a unique book for wildflower enthusiasts. There are many field guides, but they give you only the barest of information, on each specimen, as they are designed for carrying with you when you go looking for these treasures. This book is a different kind of treasure: a leisurely exploration of each flower...there are 9 pages alone on the Spring trout lily! No other wildflower book does this! Fellow botanists, serious collectors, or ocassional readers will love this book for it's gorgeous photographs, details about the plants actual life cycle, and stories about their names and histories.

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Kamis, 16 Juli 2015

# Ebook Free Remembering Inflation, by Brigitte Granville

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Remembering Inflation, by Brigitte Granville

Today's global economy, with most developed nations experiencing very low inflation, seems a world apart from the "Great Inflation" that spanned the late 1960s to early 1980s. Yet, in this book, Brigitte Granville makes the case that monetary economists and policymakers need to keep the lessons learned during that period very much in mind, lest we return to them by making the same mistakes we made in the past.

Granville details the advances in macroeconomic thinking that gave rise to the "Great Moderation"--a period of stable inflation and economic growth, which lasted from the mid-1980s through the most recent financial crisis. She makes the case that the central banks' management of monetary policy--hinging on expectations and credibility--brought about this period of stability, and traces the roots of this success back to the eighteenth-century foundations of modern monetary thought.

Tackling fundamental questions such as the causes of inflation and its relation to unemployment and growth, the natural rate of inflation hypothesis, the fiscal theory of the price level, and the proper goals of central banks, the book aims above all to demonstrate the dangers of forgetting the role of credibility in establishing sound monetary policy. With the lessons of the past firmly in mind, Granville presents stimulating ideas and proposals about inflation-targeting principles, which provide tools for present-day monetary authorities dealing with the forces of globalization, mercantilism, and reserve accumulation.

  • Sales Rank: #2640439 in Books
  • Published on: 2013-07-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.46" h x .92" w x 6.48" l, 1.22 pounds
  • Binding: Hardcover
  • 296 pages

Review
"[A] highly informative, well-written volume."--Choice

"Granville presents stimulating ideas and proposals about inflation-targeting principles, which provide tools for present-day monetary authorities dealing with the forces of globalization, mercantilism, and reserve accumulation."--World Book Industry

"[A]ny economist with an interest in inflation and in the theory and practice of monetary policy more generally would do quite well to read carefully the excellent study that Brigitte Granville has given us."--Peter N. Ireland, Journal of Economic Literature

From the Back Cover

"Brigitte Granville has written a spirited and learned defense of how macroeconomic ideas can defeat inflation with sound monetary policy and inflation targeting. The success of these ideas is evident in persistently low inflationary expectations, which are now taken for granted. Yet Granville warns that monetary policy must not be overloaded because then its credibility may be undermined. Hers is a wonderfully and enlighteningly fresh look at inflation."--Anders Åslund, senior fellow, Peterson Institute for International Economics

"Granville recalls the inflation of the 1970s, which, she fears, is in danger of being forgotten in the wake of the recent financial crisis and the ongoing recession. She covers a wide swath of macroeconomics and takes in the causes of inflation, the relation between unemployment and inflation, the Phillips curve, the role of expectations, and much more. I don't know of any other book quite like this."--John Driffill, Birkbeck, University of London

"Granville has read almost everything and has a good eye for the central issues. I liked this book very much."--Thomas J. Sargent, Nobel Laureate in Economics

About the Author
Brigitte Granville is professor of international economics and economic policy at Queen Mary University of London. Her books include "Sovereign Debt: Origins, Crises, and Restructuring."

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Sabtu, 11 Juli 2015

^ PDF Download Condemned to Repetition: The United States and Nicaragua, by Robert A. Pastor

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Condemned to Repetition: The United States and Nicaragua, by Robert A. Pastor


The new epilogue to Condemned to Repetition covers events, such as the Arias peace plan and the debate over funding for the Contras, through February 1988.


  • Sales Rank: #5872917 in Books
  • Brand: Brand: Princeton Univ Pr
  • Published on: 1988-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.25" w x 1.00" l,
  • Binding: Paperback
  • 448 pages
Features
  • Used Book in Good Condition

From Library Journal
The author, who directed Latin American affairs for the National Security Council from 1977 to 1981, makes a valuable addition to the literature on U.S.-Nicaraguan relations. He provides an insider's view of how Latin American policy was made; an analysis of what might have changed the outcome in Nicaragua; and how the United States should deal with future succession crises. The only weakness of this well-written, objective analysis is that, although the author recognizes the importance of past policies, he does not effectively demonstrate how they limit U.S. choices in a crisis. Highly recommended for informed readers and specialists. Roderic A. Camp, Central Coll., Pella, Ia.
Copyright 1987 Reed Business Information, Inc.

From the Back Cover

"Robert Pastor is uniquely qualified to write a definitive book of this kind about the relationship between Nicaragua and the United States . . . what it has been, is now, and what it ought to be. For anyone deeply interested in this crucial subject, Condemned to Repetition is an unequaled source of interesting facts and ideas."--Jimmy Carter


"A significant and revealing work on an issue of continuing great strategic importance to the United States."--Zbigniew Brzezinski


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^^ Download PDF Concealment and Revelation: Esotericism in Jewish Thought and its Philosophical Implications, by Moshe Halbertal

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Concealment and Revelation: Esotericism in Jewish Thought and its Philosophical Implications, by Moshe Halbertal

During the twelfth and thirteenth centuries, great new trends of Jewish thought emerged whose widely varied representatives--Kabbalists, philosophers, and astrologers--each claimed that their particular understanding revealed the actual secret of the Torah. They presented their own readings in a coded fashion that has come to be regarded by many as the very essence of esotericism. Concealment and Revelation takes us on a fascinating journey to the depths of the esoteric imagination. Carefully tracing the rise of esotericism and its function in medieval Jewish thought, Moshe Halbertal's richly detailed historical and cultural analysis gradually builds conceptual-philosophical force to culminate in a masterful phenomenological taxonomy of esotericism and its paradoxes.

Among the questions addressed: What are the internal justifications that esoteric traditions provide for their own existence, especially in the Jewish world, in which the spread of knowledge was of great importance? How do esoteric teachings coexist with the revealed tradition, and what is the relationship between the various esoteric teachings that compete with that revealed tradition?

Halbertal concludes that, through the medium of the concealed, Jewish thinkers integrated into the heart of the Jewish tradition diverse cultural influences such as Aristotelianism, Neoplatonism, and Hermeticisims. And the creation of an added concealed layer, unregulated and open-ended, became the source of the most daring and radical interpretations of the tradition.

  • Sales Rank: #2034471 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 2007-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .56" w x 6.14" l, 1.00 pounds
  • Binding: Hardcover
  • 208 pages
Features
  • Used Book in Good Condition

Review
"Halbertal explains complex issues clearly and gracefully, moving smoothly from dense kabbalistic passages to abstruse texts on medieval philosophy in a way that allows the unspecialized reader to follow his train of thought without plumbing the depths of each theological system to which he refers."--Jewish Book World

"This concise and brilliant book . . . provides great insight into individual thinkers like Ibn Ezra, whose astrological beliefs are frequently overlooked by his readers, and Rambam, whose explicit esotericism has perplexed readers for centuries. . . . A translation of the 2001 Hebrew edition, this very scholarly yet highly readable work will be recognized as a masterful work for many years to come."--Tradition

"Halbertal's book outlines a challenging theory in the intellectual history of Jewish creativity. He does not rely on new material but offers a superb interpretation of available material. This book undoubtedly represents a major contribution to the discourse on the character and the varieties of ancient and medieval Jewish thought."--Dov Schwartz, Journal of Religion

From the Back Cover

"Moshe Halbertal's book will be a revelation to anyone interested in religious, philosophical, psychological, or political concealment. It has wide implications for the political craving for transparency, and dazzling insights into depth psychology (such as Freud's) and esoteric tendencies in philosophy (such as Wittgenstein's). The book manifests not only immense learning and virtuosity in reading Jewish texts but also genuine wisdom."--Avishai Margalit, Institute for Advanced Study

"Halbertal's virtuosic exploration of a major dimension of medieval Jewish thought opens new vistas in Jewish philosophy and mysticism."--Moshe Idel, Hebrew University of Jerusalem

"This is the most conceptually penetrating book that I can imagine on concealment and revelation in premodern Jewish thought. An original foray into a subject that has not been well developed, it has the makings of a classic. In particular, the essay on esotericism is rich and substantial. There can be no question of the book's brilliance."--Noah Feldman, author of Divided by God

"Original, consistently interesting, and thought-provoking. This book exhibits the author's knack for synthesizing complicated technical material with clarity and verve, and making it accessible to both scholars in adjacent fields and to general readers."--Bernard Septimus, Harvard University

"This book's taxonomy of esoteric knowledge and attempt to establish its importance both as a thing in itself and as an object of study are absolutely fascinating and indeed captivating. The book made an important aspect of medieval Jewish intellectual and spiritual life much less forbidding to me than it had been before, and it should make similar bodies of esoteric knowledge and esoteric movements--like late antique gnosticism and late medieval Christian mysticism--more approachable also."--William Chester Jordan, Princeton University

About the Author
Moshe Halbertal is the Gruss Professor of Law at New York University School of Law and professor of Jewish thought and philosophy at the Hebrew University of Jerusalem. His books include "Concealment and Revelation: Esotericism in Jewish Thought and its Philosophical Implications" (Princeton) and "People of the Book: Canon, Meaning, and Authority."

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3 of 3 people found the following review helpful.
Masterful Scholarship
By David G.
A brilliant treatment of a difficult, complex subject. The twists and turns of Medieval Jewish mysticism present an overwhelming challenge but Halbertal maps them as clearly as can be done, and the major thrusts of the subject are clear and not difficult to find or follow. The jewels of this study are in the philosophical implications of this history, with the final chapter profound in the surprise connections I had never before considered. Certainly a background in Jewish or even Christian mysticism is a great help in approaching this work, but an intelligent reader of general background will find considerable reward here as well. Scholarship at its best. Masterful.

11 of 15 people found the following review helpful.
difficult interesting read
By E. Freedlander
Concealment and Revelation is a very good book if you have background in the subject of esotericism and the debate over it in the medieval ages. However, it is still very difficult to understand with that background. As for amazon, they shipped it to me on time, and it was in perfectly new condition. I would suggest this for anyone looking to read a historical philosophy book on the subject of esotericism as long as you have previous knowledge in the subject.

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Kamis, 09 Juli 2015

# Get Free Ebook The Wagners: The Dramas of a Musical Dynasty, by Nike Wagner

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The Wagners: The Dramas of a Musical Dynasty, by Nike Wagner


In this virtuoso piece of cultural history, the great-granddaughter of Richard Wagner narrates the Wagner family's turbulent history. In the process, she shares her considerable insights into the operas and gives an inside account of the internecine struggles that have surrounded the Wagner family jewel: the Bayreuth Festival.



Nike Wagner draws on history, biography, and psychoanalysis to interpret both her family's history and her great-grandfather's operas. She focuses on Bayreuth, revealing how this showcase for Wagner's sublime art so readily served the Third Reich. With clear, often ironic eyes, she examines her family's extraordinary role in German culture--and its connections to right-wing ideology.



Particularly fascinating is the tug-of-war between Nike's visionary but enigmatic father, Wieland, and her astute but aesthetically stodgy uncle, Wolfgang. It was Wieland Wagner who inaugurated a daring new style of Wagner production--characterized by absence of scenery, spare acting, and dramatic lighting--that led to a wider revolution in how operas are produced. But Wolfgang Wagner, now entering his eighties, has controlled the Festival and quarreled with family members since Wieland's premature death in 1966. The author concludes with a look at the current contenders for this family throne, herself among them, and presents her vision for the Festival's future.



Wagnerites will need this book on their shelves. As an example of cultural journalism at its finest, it will also appeal to readers interested in German cultural history or those simply drawn to the melodrama that is the Wagner family story.


  • Sales Rank: #2866368 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 2001-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.32" h x 6.54" w x 9.52" l,
  • Binding: Hardcover
  • 384 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
This book by one of the composer's granddaughters is an odd hybrid: part psychologically intense investigation of Wagner's greatest operas in light of his somewhat tortured family history, part a prolonged look at that family history by one who knows it intimately, but takes pains to distance herself from it. Although Nike, the daughter of Wieland Wagner, who helped transform Bayreuth in the de-Nazified wake of WWII, is herself one of the heirs apparent of the dynasty, she does not disclose this until the final pages. It's also the first time she refers to herself in other than the third person a rather remarkable strategy for one with such inside knowledge. The first part of the book a rather laborious attempt to link The Ring, Lohengrin, Tristan and Parsifal with the psychology of their creator and his times is not helped by Nike's dense prose, which even a fluent translation cannot render mellifluous. The second part is much fresher, particularly its portrait of the matriarch, Winifred, an English orphan who married into the family and became a deep embarrassment to it by her flaunted friendship with Hitler and her refusal to reject Nazi views. Nike's account of the recurrent patterns of strong women and vacillating men in the family, and the odd ways in which Bayreuth has been both cherished and rejected by modern Germany, is fascinating. But many readers will still feel that a book written from such a privileged perspective could have offered much more. Illus. not seen by PW.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Originally published in Germany, this fascinating insider's view by Wagner's great-granddaughter, a music critic and cultural commentator based in Berlin, offers insight into Wagner's operas, including a detailed literary analysis of characters, plots, and symbolism. It is also a history of the Wagner family's productions in Bayreuth, Germany, at the Festspielhaus the factory-like opera house that Wagner designed and the involvement of various family members in shaping and reshaping those productions. Of course, by its very nature, it exalts the works and the heirs (e.g., Nike's father, Wieland Wagner, who initiated an era of stark style), but at the same time it is somewhat critical of certain productions and especially of recent trends. Nike closes with hopeful suggestions for revitalization of the festival. Highly recommended for public and academic libraries, especially those that specialize in German culture. Timothy J. McGee, Univ. of Toronto
Copyright 2001 Reed Business Information, Inc.

From Booklist
The extended family of Richard Wagner has presided over the festival in Bayreuth dedicated to the performance of his operas since it opened in 1876. Cosima, Richard's second wife, and Winifred, his daughter-in-law, carried on the Wagner legacy for almost 75 years. Now control is vested in Wolfgang, Winifred's second son. Nike Wagner is the daughter of Wieland, Wolfgang's brother. Her account of the family business relates its internecine struggles for power and squabbles over ownership of the composer's heritage to the psychological themes of the father-son relations and strong female personalities that are crucial to his operas. Nike first analyzes the heart of the Wagnerian canon--Die Meistersinger, Tannhauser, Lohengrin, Tristan und Isolde, Parsi fal, and the Ring cycle--and then relays the history of the festival, including much about Winifred's friendship with Hitler, and all branches of the family. In conclusion, Nike proposes Bayreuth be reformed to include other Romantic composers' music and nonmusical theater. Despite her intimate connection to the festival, a better treatment of the family-run cultural institution seems unimaginable. Alan Hirsch
Copyright © American Library Association. All rights reserved

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5 of 5 people found the following review helpful.
Mildly interesting family reminiscences and Wagner thoughts
By Laon
Some of Richard Wagner's genius descended to his son Siegfried Wagner, whose vastly under-rated music I am currently, delightedly, discovering. I wish Siegfried had composed more.

But the only aspect of Richard Wagner's talent that reached as far as his grandchildren and great-grandchildren is that for writing self-serving autobiographies. In fact a minor literary genre has been established: memoirs by people who are famous only for being a descendent of Richard Wagner. Thus we have _Shadow over Bayreuth_ by Friedelind Wagner, _Acts_ by her brother Wolfgang ["it may be called _Acts_, but it sure aint Gospel"], the book by Gottfried Wagner that has so far been published under three different titles, and counting, and Nike's _The Wagners: The Dramas of a Musical Dynasty_.

The only Wagner descendent with an interesting story to tell, and a ghost writer who told it well, was Friedelind. But then she appears to have been a genuinely likeable, if extremely difficult, human being, who inherited some of her grandfather's courage and directed it against the Nazis, in the certainty (I think utterly justified) that he would have approved.

The remainder of the Wagner memoirs are marked principally by petulance, the tone tending to waver between the whiny and the snarky. Of these, Nike's book is the least bad. So what can we say about Nike's book, beyond that it is better than Gottfried's or Wolfgang's books?

The most interesting section is the family history, which from my point of view contains a few, all too few, anecdotes or glimpses of the last Wagner descendants to be at all interesting in their own right: that is, Siegfried Wagner and his daughter Friedelind.

Nike thinks that her father, Wieland Wagner, was also a major creative person, like his father and grandfather. I don't think that, though it depends on what you mean by "creative"; certainly he was a moderately innovative theatre director. Anyway, she gives us a partial portrait of Wieland. I feel her account is slightly bowdlerised, perhaps because she is making her claim to the Bayreuth Festival through her descent from Wieland, and therefore she would not wish to bring into question his fitness to have been involved in the post-War Bayreuth. So awkward matters like Wieland's involvement with the Flossenberg Concentration Camp remain glossed over.

On the evidence of this book, it seems that if Nike's claim on the festival were to be successful, it would not result in greater openness in relation to the Bayreuth archives for the period 1920-1945.

The rest of Nike's more recent family gossip is of less interest to me, since none of the living Wagners are especially interesting people. They belong in the society pages, and not in cultural coverage. Except perhaps Wolfgang, who could look back on and reveal much about a fascinating historical period; but his "autobiography" makes it clear he has no intention of doing so.

The other part of the book reveals Nike's thoughts about the works, and ideas for revitalising the festival. The thoughts are mostly moderately interesting, if not blindingly insightful. The only oddity is bringing the early 20th century nutcase Otto Weininger into her discussion of _Parsifal_. The trouble is that Weininger was a tormented homosexual Jewish man who hated homosexuals and Jews in general, and himself in particular, also hating women, while he was about it, and committed suicide.

I suspect Nike bought into the 1960s/1970s idea that insane people are somehow more insightful and interesting than the rest of us. In fact the opposite is true. Weininger's thoughts on _Parsifal_ are as relevant to an understanding of that work as Charlie Manson's thoughts on the _White Album_ are relevant to the exegesis of that Beatles' classic.

As for Nike's thoughts on the Festival, I think they have merit. It would be useful to perform Wagner's earlier operas at Bayreuth as part of the Festival, perhaps not in the main theatre, and also to perform operas that influenced him (Beethoven, Cherubini, Marschner, Weber, and others), and were influenced by him. And Bayreuth should commission and perform new operas, which surely is what Wagner meant by "Children, do something new."

So Nike's thoughts about the festival make a worthwhile contribution. Still, as for the succession, with some sentimental regret I think that it should go to the best candidate, and I think it astronomically unlikely that the best candidate will be called Wagner.

Summary: a mildly interesting book. Very far from essential, but at least readable. And I'd rather spend time in her company (I mean as a reader) than either Gottfried or Wolfgang. What a terrible shame, by the way, that Siegfried Wagner didn't write an autobiography.

Cheers!

Laon

18 of 30 people found the following review helpful.
Wagner Smargner
By Karitta Guuska-Bertelsen
Oh the poor girl, to be an off-spring of such a family. I started to skip some of her essays of the operas, as she may be Wagner's great-grand-daughter, but, dear God, she's a boring writer, and I, for one, don't need, in 2001, the message of Tristan und Isolde etc., rammed down my throat.
When I looked at this book at Frankfurt flughafen in 1999 the German edition had some of the text blacked out, and I've heard since that Anja Silja objected to the text concerning her after the book was printed. Silja doesn't come out as very likeable in the English version, but then, does anyone ever like their father's mistress? [For Frau Wagner's information, her father and Frau Silja never made a production together in Milan, and the Stuttgart Lulu was 1966, not 1960.]
I get very tired when it's page after page of bad behaviour by irredeemably dreadful people to their nice relations. I also get a bit irritated when young people are brought up well beyond their means and talents just because they are the great grandchildren of a famous composer. It's pretentious. One longs to shout at them: "Break free, go away, make your own life for yourself away from Bayreuth."
I also don't care for Frau Wagner's future plans for the Bayreuth Festival!!!! Wagner isn't Walt Disney, dear, and Bayreuth, and I would have Nike Wagner think about this strongly, was there before she was born and will be there after she is long dead. A sobering thought but a very useful one.

4 of 16 people found the following review helpful.
The Wagners:The Dramas of a Musical Dynasty
By rick
Although the Wagner grand-daughter exhibits brilliant gifts that seem handed down from the great composer himself,it has become tiresome and tedious to keep harping on his so-called "anti-Semitism". After all,when all is said and done,and if she were aware of Wagner's essay Art and Revolution,he made it clear that his secular humanism despised Christentum most as the cause of debasement of Man and stifling of artistic creativity.Even the essay Judentums in der Musik is most lucid when it allows for the likeliest conclusion:that it is really Christentums that has proven most detrimental to music. It is Nietszche who truly echoes the truest Wagnerian lucidity by terming traditional Christentum as the "The Ultimate Corruption" [Letzte Koruption]. Ironically,she has too gullibly yielded to current faddishness,as if a mere product of her own society,the condition of which was Wagner's greatest weakness and partly the source of his decadent side. His gratest music is a triumph of anti-christianitic,humanistic visionaryism. Let us cease this masochistic catering to viciously inferior,decadent fashion.

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