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In this classic work, acclaimed Shakespeare critic C. L. Barber argues that Elizabethan seasonal festivals such as May Day and Twelfth Night are the key to understanding Shakespeare's comedies. Brilliantly interweaving anthropology, social history, and literary criticism, Barber traces the inward journey--psychological, bodily, spiritual--of the comedies: from confusion, raucous laughter, aching desire, and aggression, to harmony. Revealing the interplay between social custom and dramatic form, the book shows how the Elizabethan antithesis between everyday and holiday comes to life in the comedies' combination of seriousness and levity.
"I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction
This new edition includes a foreword by Stephen Greenblatt, who discusses Barber's influence on later scholars and the recent critical disagreements that Barber has inspired, showing that Shakespeare's Festive Comedy is as vital today as when it was originally published.
- Sales Rank: #1195141 in Books
- Published on: 2011-10-23
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .90" w x 5.40" l, .80 pounds
- Binding: Paperback
- 328 pages
Review
Winner of the 1961 George Jean Nathan Award for Drama Criticism
"Well-considered, subtly thought-out commentaries that move easily between structural analysis of the larger actions and sensitive dissection of local textures . . . a first-rate work of impressive imagination."--Modern Philology
From the Back Cover
"Shakespeare's Festive Comedy is the best book on the subject that I know. The book is well and clearly written, and I should think would fascinate the general readers. I think it is indispensable for students of Shakespeare's comedy."--Francis Fergusson
"I can think of no other book that has had such a powerful influence on the ways in which Shakespeare has been taught over the past thirty years. Shakespeare's Festive Comedy was a book ahead of its time. Barber revolutionized the ways that Shakespeareans thought of comedy in relation to its social setting--especially festive comedy. Others have built on his argument but nobody has really improved on his keen, central insight."--James Shapiro, Columbia University
"C. L. Barber is the most compelling of the anthropological critics and his book, Shakespeare's Festive Comedy, is to my mind far and away the most illuminating yet to appear on its subject. He is compelling for many reasons--a mind both intricate and deft, a sensitivity quick to the accommodation of esthetic form to the intricacies of psychological function, a humanity benignly tolerant and inclusive. . . . The especial merit of Barber's criticism lies in its sensitive exploration of the individual working out of the release-clarification formula in five separate plays. Each, he discovers, 'tends to focus on a particular kind of folly that is released along with love--witty masquerade in Love's Labour's Lost, delusive fantasy in A Midsummer Night's Dream, romance in As You Like It, and in The Merchant of Venice, prodigality balanced against usuary.' Twelfth Night, to complete the list, focuses on misrule and its complementary folly of time-serving."--Arthur M. Eastman, in A Short History of Shakespearean Criticism
About the Author
C. L. Barber was a fellow of the Folger Shakespeare Library and a world-renowned Shakespeare scholar. His books include "The Whole Journey: Shakespeare's Power of Development" and "Creating Elizabethan Tragedy: The Theater of Marlowe and Kyd."
Most helpful customer reviews
5 of 7 people found the following review helpful.
Shakespeare's Comedies and Cultural Anthropology
By Dharma
The author sets out to establish a connection between the early festive comedies of Shakespeare, and the long-standing traditional celebrations in rural England during holiday periods such as Christmas, Shrove Tuesday, MidSummer's Eve, and May Day. Using 16th Century sources, he establishes a connection between these informal celebrations, plays, and progresses, and some of the characters, situations, and structure of the Comedies "Love's Labor Lost" a "Midsummer Night's Dream" and "Twelfth Night." He teases out of these sources the structure of humor, irony, and contradiction which enabled the rural people to poke fun at their lords, the landowners, and the church. He calls these festivities "Saturnalia" although they are more likely connected to early English or Germanic forms. Undoubtedly, this approach is useful in uncovering the meaning of topical references, common titles of playacting or Misrule, and establishing the audience's expectations at the time of their original performance.
Unfortunately, the authors exposition is unnecessarily obtuse. His arguments are wandering, and his sentences are garbled. The frequent quotations from the plays are a welcome break from the turgid and at times completely meaningless explanatory paragraphs. This density is increased by the long chapter on "The Merchant of Venice" which seems to me almost completely mistaken. There are almost none of the elements which Barber has been clarifying in the earlier comedies in TMOV. He tries to extend his argument to include forms of humor, but this fails to clarify his intent. He tries to extend his cultural argument to show how Shakespeare enlarged the role of humor in drama, but fails to show how the earlier comedies relate to this achievement. It is a weak crutch to hold up an interpretation of one of Shakepeare's most popular plays.
From an historical point of view (published in 1959), this book holds an essential place in the recent trend of Shakespearian scholarship towards locating and referencing the plays in the time and culture in which they were written.
0 of 2 people found the following review helpful.
Five Stars
By Otto Minera
Some book!
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