Rabu, 19 Februari 2014

@ Ebook Gem Hunter's Guide, by Russell P. Macfall

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A complete state-by-state directory to tested digging sites. Easy-to-understand instructions for recognizing rock formations: glossary. How to identify gem minerals and judge their value. More than 100 maps, photographs and line drawings.

  • Sales Rank: #845898 in Books
  • Brand: Brand: Thomas Y. Crowell
  • Published on: 1991-12
  • Number of items: 1
  • Dimensions: 8.45" h x 5.47" w x .54" l,
  • Binding: Paperback
  • 336 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
Handy rockhounding book for seeing what is in your area of the country.
By Kim Dunn
Use my book so much I got a second copy as a backup. This is now out of print, but handy to have if you are a traveling rockhound.

0 of 0 people found the following review helpful.
Ideal for the USA, not for the world
By A. Kiousopoulos
It might be ideal for the USA but there is only limited information for international sources of Gems, etc. I would only buy it if you live and want to hubt gems in the USA.

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Three Stars
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good

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  • Sales Rank: #4102887 in Books
  • Brand: Brand: Princeton Univ Press
  • Published on: 1962-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.06" h x 1.54" w x 5.91" l,
  • Binding: Hardcover
  • 640 pages
Features
  • Used Book in Good Condition

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Selasa, 18 Februari 2014

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Taking Positions is an innovative exploration of the place of the erotic in Renaissance art and culture, focusing on a notorious set of images created by the young Italian master Giulio Romano. In the early 1520s, Giulio made sixteen drawings of couples in various sexual positions. Known as I modi ("the positions"), the drawings were modeled on classical sources and themselves became a model for erotica in early modern Europe. Bette Talvacchia presents the first comprehensive account of the origins, impact, and context of these drawings, discussing in highly original ways such issues as censorship, religious teachings about sex, and the influence of antique culture.


Talvacchia presents evidence that Giulio modeled I modi in part on coinlike ancient Roman medals known as spintriae, which portrayed diverse sexual positions. She reconstructs how the drawings were first circulated privately and then made into engravings that were distributed publicly. She considers what it reveals about Renaissance culture that authorities began to consider I modi obscene and threatening--they went so far as to jail the engraver--only when the images became available to the public. More broadly, Talvacchia explores how sixteenth-century discourse used the terms onesto and disonesto--roughly analogous to the terms natural and unnatural in Catholic teachings about sexual sin--to distinguish between the erotic and the obscene.


The book also traces the influence of Giulio's drawings throughout the sixteenth century. Talvacchia looks, in particular, at two related sets of prints: Jacopo Caraglio's Loves of the Gods and a manual of anatomy by the French doctor and printer Charles Estienne. In the former, she shows how explicit sexual representation was legitimized with a cover of ancient mythology. She then examines how Estienne transformed Caraglio's erotic images into strange anatomical figures of the female body and what this transformation shows about the place of women's sexuality in Renaissance medicine.


The book is generously illustrated and includes full translations of the infamous sonnets that Pietro Aretino wrote to accompany I modi. Provocative, rigorously researched, and carefully argued, Taking Positions is a major contribution to our understanding of the erotic in Renaissance culture.


  • Sales Rank: #3006692 in Books
  • Published on: 1999-02-16
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x 7.25" w x 1.25" l,
  • Binding: Hardcover
  • 320 pages

Review
"This beautifully produced book is courageous in addressing aspects of the subject without without moralising or coyness."--Burlington Magazine



"[Talvacchia] does an admirable job of setting the whole extraordinary episode [of Roman printmaking] in its historical context."--Apollo Magazine



"In Taking Positions, Bette Talvacchia pieces together the dispersed fragments of the sixteen Modi, and with the same reconstructive skill she recomposes the society of the 1520s in which they were produced. . . . [A] fine essay."--Ingrid Rowland, The New York Review of Books



"Talvacchia has produced a marvelous book of potentially broad interest and import that honors both scholarly rigor and the visual pleasures of eroticism."--Sharon T. Strocchia, Journal of the History of Sexuality



"Talvacchia's particular contribution has been to reconstruct the material history of I modi through impeccable research, addressing questions of documentation, authorship, style, and form, and broadening this more canonical approach by integrating critical considerations around the issue of gender and the question of the impact of old and new media in Renaissance Italy. . . . [A] model of interdisciplinary research in the arena of Renaissance studies."--Sara F. Matthews-Grieco, CAA.Reviews



"Bette Talvacchia does some adroit scholarly detective work. . . . Taking Positions gives us the era at its mostly engagingly bawdy."--Ann Landi, ArtNews

From the Back Cover

"The picaresque story of these engravings includes some of the best-known artists and rogues of sixteenth-century Italy. Although little has been written about I modi, and certainly nothing of this scope. Talvacchia's many-sided approach to her material rises gloriously to the provocative subject."--Ingrid D. Rowland, University of Chicago


"A fascinating case study in the uses and transmissions of images and in the multiple valences of the sexually represented body in the Renaissance."--Leonard Barkan, New York University


About the Author
Bette Talvacchia is Professor of Art History at the University of Connecticut. She has published widely on topics in Renaissance art and gender studies.

Most helpful customer reviews

0 of 3 people found the following review helpful.
Taking Positions: On the Erotic in Renaissance Culture
By B. Gannon
good book,i haven't got all the way through it yet but definitely a good read. i would recommend this book to others

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Minggu, 16 Februari 2014

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Handwringing about political apathy is as old as democracy itself. As early as 425 BC, the playwright Aristophanes ridiculed his fellow Athenians for gossiping in the market instead of voting. In more recent decades, calls for greater civic engagement as a democratic cure-all have met with widespread agreement. But how realistic--or helpful--is it to expect citizens to devote more attention and energy to politics? In Attention Deficit Democracy, Ben Berger provides a surprising new perspective on the problem of civic engagement, challenging idealists who aspire to revolutionize democracies and their citizens, but also taking issue with cynics who think that citizens cannot--and need not--do better.
"Civic engagement" has become an unwieldy and confusing catchall, Berger argues. We should talk instead of political, social, and moral engagement, figuring out which kinds of engagement make democracy work better, and how we might promote them. Focusing on political engagement and taking Alexis de Tocqueville and Hannah Arendt as his guides, Berger identifies ways to achieve the political engagement we want and need without resorting to coercive measures such as compulsory national service or mandatory voting.
By providing a realistic account of the value of political engagement and practical strategies for improving it, while avoiding proposals we can never hope to achieve, Attention Deficit Democracy makes a persuasive case for a public philosophy that much of the public can actually endorse.

Attention Deficit Democracy: the paradox of civic engagement has been named the Winner of the NASSP (North American Society for Social Philosophy) 2012 Book Award as the best social philosophy book published in 2011. Previous winners include Amartya Sen, G.A. Cohen, Will Kymlicka and Seyla Benhabib.
It was also named one of the Top 10 Nonfiction Books of 2011 by Zocalo Public Square, a project of the Center for Social Cohesion.

  • Sales Rank: #1423052 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 2011-09-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 1.00" w x 6.20" l, 1.05 pounds
  • Binding: Hardcover
  • 224 pages
Features
  • Used Book in Good Condition

Review
Winner of the 2012 Book Award, North American Society for Social Philosophy

"Acknowledging that there are real limits to how involved citizens will be in political activity, [Berger] develops a sophisticated and balanced argument for policies to enhance political engagement, mainly through institutional changes to encourage and especially to make better use of citizens' activity. The book is clearly written and accessible."--Choice

"I applaud Berger's effort to add analytic rigor to discussions that frequently devolve into reflexive paeans to civic engagement."--Justin Buchler, Perspectives on Politics

"Arendt and/or Tocqueville scholars may find Attention Deficit Democracy of interest. Berger offers contributions to scholarship on both, although his readings are not revolutionary. . . . [T]he strength of Berger's treatment of Arendt and Tocqueville is not novel interpretations, but the creative application of their thinking in explaining ADD."--Michael T. Rogers, Political Studies Review

From the Back Cover

"This book offers important correctives to the plethora of work on civic engagement produced by political theorists and political scientists over the past twenty years. Ben Berger argues that too much civic engagement--or engagement of the wrong sorts--can damage democracy as much as support it. This is a genuine work of public philosophy that offers insights and analytical tools for making contemporary democracies better."--Sharon Krause, Brown University

"This lucid and intelligent book will interest scholars and a broad swath of the politically inclined reading public. Berger writes with authority, wit, and directness, and his scholarship never gets in the way of the flow of his argument."--Dana Villa, University of Notre Dame

About the Author
Ben Berger is associate professor of political science at Swarthmore College.

Most helpful customer reviews

4 of 5 people found the following review helpful.
Must Read
By R. Berger
This beautifully written little volume brings clarity and common sense to a current "hot topic". It's a "must read" for anyone interested in the present and future of American civil society and democracy in general.

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Kamis, 13 Februari 2014

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Bartok and His WorldFrom Brand: Princeton University Press

Béla Bartók, who died in New York fifty years ago this September, is one of the most frequently performed twentieth-century composers. He is also the subject of a rapidly growing critical and analytical literature. Bartók was born in Hungary and made his home there for all but his last five years, when he resided in the United States. As a result, many aspects of his life and work have been accessible only to readers of Hungarian. The main goal of this volume is to provide English-speaking audiences with new insights into the life and reception of this musician, especially in Hungary.

Part I begins with an essay by Leon Botstein that places Bartók in a large historical and cultural context. László Somfai reports on the catalog of Bartók's works that is currently in progress. Peter Laki shows the extremes of the composer's reception in Hungary, while Tibor Tallián surveys the often mixed reviews from the American years. The essays of Carl Leafstedt and Vera Lampert deal with his librettists Béla Balázs and Melchior Lengyel respectively. David Schneider addresses the artistic relationship between Bartók and Stravinsky.

Most of the letters and interviews in Part II concern Bartók's travels and emigration as they reflected on his personal life and artistic evolution. Part III presents early critical assessments of Bartók's work as well as literary and poetic responses to his music and personality.

  • Sales Rank: #1413440 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 1995-08-07
  • Released on: 1995-08-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .82" w x 6.00" l, 1.03 pounds
  • Binding: Paperback
  • 250 pages
Features
  • Used Book in Good Condition

Review
"Adds important material to the slim library of English-language studies of Bartók's achievements."--The New York Times

From the Back Cover
The main goal of this volume is to provide English-speaking audiences with new insights into the life and reception of Bartok, especially in Hungary.

Most helpful customer reviews

1 of 2 people found the following review helpful.
Excellent compilation of Bartok's writings
By Hiram Gòmez Pardo Venezuela
In order to understand and getting closer to the soul and spirit of this master composer, this text is a must-buy. It contains relevant essays that reveal the marvelous existential incandescence of this unique human being; as the composer himself asserted in 1905:

"The Empire of dissonances is mine."

The added value, analytical study and abundant material make of it an absolute reference.

PD. I had the opportunity to shake hands with Gyorgy Sandor in Caracas (Dec/9/1982) and exchanged some aspects of Bela Bartok with him. He told me Bartok talked seven idioms as well as the fascinating personality he was. I still remember his face and how it illuminated when he talked about him. Images and memories that my memory preserves which I really wanted to share with you my dear reader.

0 of 1 people found the following review helpful.
Good collection
By Mguayaquil
Good and balanced collection of essays from Bela Bartok. A must read since there are not many books from this composer in the market.

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Senin, 10 Februari 2014

>> Download Chaucerian Theatricality (Princeton Legacy Library), by John M. Ganim

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Chaucerian Theatricality (Princeton Legacy Library), by John M. Ganim

Whereas modern criticism has emphasized the unity and sense of permanence in The Canterbury Tales, John Ganim alerts us to a dialectically opposing dimension that Chaucer's poetics shares with the popular culture of the late Middle Ages: his celebration of the ephemeral and his sense of performance. Ganim uses the concept of theatricality to illuminate Chaucer's manipulations of the forms of popular culture and high literary discourse. He calls upon recent work in semiotics and social history to question Mikhail Bakhtin's notion of the "carnivalesque" and the "dialogic," at the same time suggesting Bakhtin's usefulness in understanding Chaucer.

This book includes chapters on how Chaucer adopts the voice of such popular literary forms as chronicles and pious collections, on his equivalence between his own image making and dramatic performance, and on Chaucer's and Boccaccio's handling of the related issues of popular understanding and the creation of illusions. The book concludes by describing how Chaucer conflates "noise" and popular expression, simultaneously appropriating and distancing himself from his richest cultural context.

Originally published in 1990.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

  • Sales Rank: #5005726 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 1990-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x .75" l,
  • Binding: Hardcover
  • 171 pages
Features
  • Used Book in Good Condition

About the Author
John M. Ganim is Professor of English at University of California, Riverside.

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? Download Ebook On Psychological Prose, by Lydia Ginzburg

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On Psychological Prose, by Lydia Ginzburg

Comparable in importance to Mikhail Bakhtin, Lydia Ginzburg distinguished herself among Soviet literary critics through her investigation of the social and historical elements that relate verbal art to life in a particular culture. Her work speaks directly to those Western critics who may find that deconstructionist and psychoanalytical strategies by themselves are incapable of addressing the full meaning of literature. Here, in her first book to be translated into English, Ginzburg examines the reciprocal relationship between literature and life by exploring the development of the image of personality as both an aesthetic and social phenomenon. Showing that the boundary between traditional literary genres and other kinds of writing is a historically variable one, Ginzburg discusses a wide range of Western texts from the eighteenth century onward--including familiar letters and other historical and social documents, autobiographies such as the Memoires of Saint-Simon, Rousseau's Confessions, and Herzen's My Past and Thoughts, and the novels of Stendhal, Flaubert, Turgenev, and Tolstoi. A major portion of the study is devoted to Tolstoi's contribution to the literary investigation of personality, especially in his epic panorama of Russian life, War and Peace, and in Anna Karenina.

  • Sales Rank: #2372860 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 1991-07-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.00" h x 1.05" w x 9.00" l,
  • Binding: Paperback
  • 426 pages
Features
  • Used Book in Good Condition

From Library Journal
This important work (first published in 1971, revised in 1977) by Russian critic Ginzburg (1902-90) presents a rigorous, historically informed alternative to outworn theories that treat literary texts as hermetically sealed units. Ginzburg traces developing ideas of personality through French and Russian documentary prose written from the 17th to the 19th centuries. She thereby clarifies the work of Russian activists and critics who embodied the transition from romanticism to realism. The last chapters deal with elements (social "conditionality," ethical value) and formal devices (direct discourse) that underpin character definition in the "sociopsychological" novel, which reached its apogee with Tolstoy. Rosengrant's magnificent translation matches Ginzburg's elegant, jargon-free prose.
-Mary F. Zirin, Altadena, Cal.
Copyright 1991 Reed Business Information, Inc.

Review

Winner of the 1993 Book Prize, American Association of Teachers of Slavic and East European Languages


"This important work . . . by Russian critic Ginzburg (1902-1977) presents a rigorous, historically informed alternative to outworn theories that treat literary texts as hermetically sealed units. Ginzburg traces developing ideas of personality through French and Russian documentary prose written from the 17th to the 19th centuries. . . . Rosengrant's magnificent translation matches Ginzburg's elegant, jargon-free prose."--Library Journal

Language Notes
Text: English (translation)
Original Language: Russian

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Kamis, 06 Februari 2014

* Free PDF Standard Handbook for Telescope Making (Telescope Making), by N.E. Howard

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Standard Handbook for Telescope Making (Telescope Making), by N.E. Howard

A scientifically accurate yet easy-to-use guide to the art and science of telescope making. The clear text, detailed drawings, and specially prepared photographs teach you how to:
* chose the right telescope to build
* Buy inexpensive equipment and tools
* Rough and fine grind the mirror
* Test and polish for a perfect mirror
* Select the right eyepiece
* Construct the tube and its fittings
* Mount your telescope
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* Fully Illustrated
* Fully Indexed
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  • Sales Rank: #2957424 in Books
  • Published on: 1959-02
  • Number of items: 1
  • Binding: Hardcover
  • 326 pages

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1 of 1 people found the following review helpful.
Old book, better ones available
By Michael J. Cashen
This is the book I checked out of the library when I made my first 8" Newtonian telescope mirror in the 70's. It's clear, straightforward, and not overwhelmingly technical. It gives enough detail to make a usable telescope. But it does not give you enough information to completely examine the mirror and insure you'll come out with a great one. I highly recommend Texereau's standard "How to Make a Telescope" for making and testing the mirror. If you want to make a Dobsonian mount (the way to go for most homemade scopes) then Richard Berry's "Build Your Own Telescope" with 5 plans is a good start - it can be used alone, but I like Texereau's testing methods and explanations. Texereau was chief optician of the Paris Observatory and spent time all over the world at large observatories -including the USA- repairing mirrors that weren't quite right.

0 of 0 people found the following review helpful.
excellent for mounting
By Eric Rachut
Amateur telescope making became popular in this country in the 1920's and was always primarily aimed at producing a Newtonian reflector on a German-style equatorial mounting. With the advent of inexpensive optics and the Dobsonian mount, the field is now more restricted to those who assemble to telescope from parts or those who simply like to "push glass."

I used this book when making an eight inch Newtonian in the early 1960's and can attest that the German type mounting laid out is an excellent one. It does use
1 5/8 inch steel shafts for the axes, which is a little odd sized, and a 169-tooth gear on the polar axis, which was available from one vendor back then, but the mounting is a fine one. It uses a combination of pipe fittings, ball- or roller-bearings and some basic machined parts. This mounting could easily hold an 80 lb scope.

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# Download PDF Dreams in Late Antiquity, by Patricia Cox Miller

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Dream interpretation was a prominent feature of the intellectual and imaginative world of late antiquity, for martyrs and magicians, philosophers and theologians, polytheists and monotheists alike. Finding it difficult to account for the prevalence of dream-divination, modern scholarship has often condemned it as a cultural weakness, a mass lapse into mere superstition. In this book, Patricia Cox Miller draws on pagan, Jewish, and Christian sources and modern semiotic theory to demonstrate the integral importance of dreams in late-antique thought and life. She argues that Graeco-Roman dream literature functioned as a language of signs that formed a personal and cultural pattern of imagination and gave tangible substance to ideas such as time, cosmic history, and the self.


Miller first discusses late-antique theories of dreaming, with emphasis on theological, philosophical, and hermeneutical methods of deciphering dreams as well as the practical uses of dreams, especially in magic and the cult of Asclepius. She then considers the cases of six Graeco-Roman dreamers: Hermas, Perpetua, Aelius Aristides, Jerome, Gregory of Nyssa, and Gregory of Nazianus. Her detailed readings illuminate the ways in which dreams provided solutions to ethical and religious problems, allowed for the reconfiguration of gender and identity, provided occasions for the articulation of ethical ideas, and altogether served as a means of making sense and order of the world.


  • Sales Rank: #2895739 in Books
  • Published on: 1994-07-05
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 6.75" w x .75" l,
  • Binding: Hardcover
  • 288 pages

Review
"Patricia Cox Miller should be commended for having cast her net wide. Her book, indeed, represents the first sustained effort to present and analyze the place of dreams in the culture of the Roman Empire, from the second to the fifth centuries.... By studying together pagan and Christian dreams, Cox Miller hopes to reach a better understanding of some fundamental patterns of late antique culture."--Guy G. Stroumsa, The Journal of Religion



"A fluent and discursive text.... This is an adventurous exploration of a range of material which deserves to be more widely known."--Gillian Clark, The Classical Review

From the Back Cover
Dream interpretation was a prominent feature of the intellectual and imaginative world of late antiquity, for martyrs and magicians, philosophers and theologians, polytheists and monotheists alike. Finding it difficult to account for the prevalence of dream-divination, modern scholarship has often condemned it as a cultural weakness, a mass lapse into mere superstition. In this book, Patricia Cox Miller draws on pagan, Jewish, and Christian sources and modern semiotic theory to demonstrate the integral importance of dreams in late-antique thought and life. She argues that Graeco-Roman dream literature functioned as a language of signs that formed a personal and cultural pattern of imagination and gave tangible substance to ideas such as time, cosmic history, and the self. Miller first discusses late-antique theories of dreaming, with emphasis on theological, philosophical, and hermeneutical methods of deciphering dreams as well as the practical uses of dreams, especially in magic and the cult of Asclepius. She then considers the cases of six Graeco-Roman dreamers: Hermas, Perpetua, Aelius Aristides, Jerome, Gregory of Nyssa, and Gregory of Nazianzus. Her detailed readings illuminate the ways in which dreams provided solutions to ethical and religious problems, allowed for the reconfiguration of gender and identity, provided occasions for the articulation of ethical ideas, and altogether served as a means of making sense and order of the world.

About the Author
Patricia Cox Miller is Associate Professor of Religion at Syracuse University. She is the author of Biography in Late Antiquity: A Quest for the Holy Man.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Dreams and religion in ancient times
By Michael P. McGarry
In the first half of this book, Dr. Miller carefully goes through how Graeco-Roman people in late antiquity thought about dreams: where they thought dreams came from, how they interpreted them, and how they used them. The second half of book is a set of five essays about specific individuals from late antiquity whose dreams have been recorded and preserved. These dreamers are: Hermas (of "The Shepherd of Hermas"); Vibia Perpetua, a young aristocratic women executed on the charge of being Christian; Aelius Aristides, author of the "Sacred Tales"; Jerome, translator of the Bible, a pivotal figure in the history of Christianity; and the "two Gregorys", Gregory Nazianzen and Gregory of Nyssa, both bishops and leading theologians of the fourth century. In all five essays, the themes of religion and spirituality play heavily; indeed, in the late-antique Graeco-Roman world, the essential relationship between dreams and spirituality was self-evident. This fascinating, superbly researched, and well written book really gives the "taste" of that period in history, especially because dreams are such an intimate aspect of the human being. This book would be of immense interest to anyone interested in the late-antique Graeco-Roman world, as well as to anyone interested in the relationship between dreams and spirituality.

3 of 4 people found the following review helpful.
Dreaming and religion in ancient times
By Michael P. McGarry
In the first half of this book, Dr. Miller carefully goes through how Graeco-Roman people in late antiquity thought about dreams: where they thought dreams came from, how they interpreted them, and how they used them. The second half of book is a set of five essays about specific individuals from late antiquity whose dreams have been recorded and preserved. These dreamers are: Hermas (of "The Shepherd of Hermas"); Vibia Perpetua, a young aristocratic women executed on the charge of being Christian; Aelius Aristides, author of the "Sacred Tales"; Jerome, translator of the Bible, a pivotal figure in the history of Christianity; and the "two Gregorys", Gregory Nazianzen and Gregory of Nyssa, both bishops and leading theologians of the fourth century. In all five essays, the themes of religion and spirituality play heavily; indeed, in the late-antique Graeco-Roman world, the essential relationship between dreams and spirituality was self-evident. This fascinating, superbly researched, and well written book really gives the "taste" of that period in history, especially because dreams are such an intimate aspect of the human being. This book would be of immense interest to anyone interested in the late-antique Graeco-Roman world, as well as to anyone interested in the relationship between dreams and spirituality.

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Selasa, 04 Februari 2014

!! Free Ebook The Tavern at the Ferry, by Edwin Tunis

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The Tavern at the Ferry, by Edwin Tunis

Describes the development of settlements, taverns, and ferry crossings along the Pennsylvania and New Jersey shores of the Delaware River and the events leading to Washington's crossing of this river in 1776.

  • Sales Rank: #261657 in Books
  • Brand: Ty Crowell Co
  • Published on: 1973-09
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 109 pages
Features
  • Great product!

Review

We should become familiar with this widely read book, which has served as the introduction to colonial inland transportation and industry for many of the spectators attending our events. The story of Washington's crossing of the Delaware, centered on The Tavern At The Ferry, is especially interesting and instructive.

(John Austen Dispatch)

About the Author

Edwin Tunis (1897–1973) was born in Cold Spring Harbor, New York, and spent much of his life in Maryland. A well-known artist, illustrator, and muralist, his work appeared at the Baltimore Museum of Art, the Society of American Etchers, the National Academy of Design, and the Victoria and Albert Museum. His other books include Colonial Craftsmen; Colonial Living; Weapons; Oars, Sails and Steam; and Wheels, all available in paperback from Johns Hopkins.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A great history lesson
By william Gillingham
A wonderful insight to the life of Quakers in the 1600's. I was highly excited to read of Tom Canby being the first man to run a ferry on the Delaware River. This Tom Canby is one of my ancestors and a nephew of mine, David Wilson followed in his steps, just retiring from working as a captain on a ferry out of Seattle, Washington.

1 of 1 people found the following review helpful.
life in the 1600 s
By wayne baker
great story about henry baker , the reason it made it more interesting he was my GGGGGGG grandfather , I have been tracing his and his relatives all the way to here Australia , the book helped fill a lot of gapes.
Wayne baker

1 of 1 people found the following review helpful.
Three Stars
By Joann McKenzie
Nice book

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